Art work: Mimi Spirits by Thompson Nganjmirra - Mimi spirits are nonphysical beings who have been present and active since Creation and are attributed to the Kunwinjku people, of Kakadu.
This blog has been developed to display my work for the City and Guild Level III Certificate in Embroidery with Sian Martin of Distant Stitch and other interesting photos of Australia and inspirations from my travels around the world.
Decorative stitches using black thread on homespun (off-white) fabric:
a - zig zag stitch changing stitch length
b - zig zag stitch changing stitch length and distance between rows
c - three step zig zag changing stitch width
d - straight stitching worked in non parallel rows sewn to the edge of the fabric
e - decorative satin stitch changing width, length and row spacing
f - whip stitch using zig zag with black thread and loose bobbin tension
g - whip stitch with white top thread and black bobbin thread, creates a dotted effect as white thread is not clearly visible
h - whip stitch using straight stitch and white thread in top spool
i - cable stitch using black perle thread (No 5) in the bobbin and white thread on top, changed thread to thinner (No 8) half way through and increased stitch length and space between rows to create tonal changes
j - cable stitch using white No 8 perle thread in the bobbin and black cotton on top, varying stitch length and space between rows
k - cable stitch using three step zig zag stitch with stitching in different directions and crossing lines of stitching to create variations in tone
l - quilt stitch used with varied stitch length with black thread in the bobbin and transparent monofilament in the top thread, creating a spotted effect
Cable stitch samples using different yarns and background fabrics:
White cotton perle and lustrous yarn on white background with black cotton thread providing texture and pattern with a netted effect
Black perle on white and black background fabric with white cotton providing a fragile, broken pattern
Tapestry wool gives a softer matt effect
Just for fun I have created some decorative stitch effects using white thread on black fabric. I had the opportunity to use my mother's fabulous new sewing machine and had some fun with the lettering and decorative stitch functions.
From the many choices available I chose stitches that resembled animal markings in combinations and variations in stitch size.
I thought it would be fun to create words with stitching to match those I had used to describe the animals and markings in pictures I had collected. Along with this some relevant stitches have been added to highlight this.
Greek and Chinese lettering add some interesting variation if not sense :-)
Working Sheet:
Experimenting with decorative stitches to resemble animal markings.
White thread was used on black marbled cotton fabric. Stitches used are: zig zag, three step zig zag, hem stitch using different widths and lengths.
Overlaying stitches and stitching across in three step zig zag creates spaces and imagery of reptile and tortoise skin. Zig zag in different lengths and widths resembles the feathers of an owl. Feather stitch in different directions resembles the feather markings around the owl's eyes.
Three tonal columns using different techniques to illustrate shading. From left to right these are: a. adding additional stitches to the design b. varying spacing using overlap to grade shading c. varying thickness of threads - No 12, 8 and 5 perle cotton, stranded cotton, tapestry yarn
Three tonal columns showing reverse side of finished sample. The tonal variations are still evident with the less precise, more freestyle, random stitching. Interesting effects to consider for alternative ways to stitch samples and further development in projects for this Module.
From wondering how I would like this element having not done blackwork before I became entranced in its effect once I started to stitch the samples. After some research on the internet I then found some wonderful designs and ideas for inspiration (below). I have fallen in love with blackwork and want to do more and more.
Jack Robinson panel using blackwork stitches and technique highlighted with colour. Beautiful peice based on traditional Elizabethan blackwork. This example is a wonderful illustration of how variety in stitches compensates for lack of variety of colour. It also shows how gold thread has been included for highlighted and richer effect as was customary in the works of the 16C.
Another example based on Elizabethan blackwork by Leon Conrad called 'Medieval Majesty'. Leon has some inspirational designs and other useful information at www.leonconraddesigns.freeserve.co.uk
A fabulous range of patters of all types found at: http://www.blackworkarchives.com
Black and white and colour photos for comparison Descriptive words: spotted, soft, feathery, squawking, sharp, mottled, layered, alert, noisy, flying, perched, Christmas dinner, plumes, tribal,